In this piece published at Vision and Values earlier this year, I respond to some popular dismissals of Jack Phillips’ contention that his cake baking amounts to constitutionally protected speech. I hew closely to Sherif Girgis’s case that social context shapes the meaning of a variety of activities that commercial cake baking fits comfortably into. But what motivated me most may have been my personal insight about the nature of artistic expression. Here I respond to what I think is a weak take on the relationship between an artist and his work:
A better objection admits that although cakes can be expressive, it’s the customer, not the baker, who “owns” the message. To prove this point, one symposium contributor at SCOTUS blog invites us to imagine a bossy wedding photographer dictating how the ceremony must transpire, even down to what words must be said. But this falsely supposes that commercial artists are totalitarian czars or else dispassionate technicians—what another contributor calls mere “conduits of expression.”
Wedding-service providers aren’t Ayn Randian egoists aiming to exchange services with cold stoicism. Rather, common experience affirms that warm smiles and effusive affirmations are their trademark. More than conduits and less than czars, wedding artists are collaborators who consent to work with their customers’ celebratory visions.
Read the rest here.
